CANON EOS R6 MARK II WITH RF 24-105MM F/4-7.1 LENS KIT SUMMARY
This kit is designed for hybrid content creators, combining an effective wide to standard zoom with the second generation body in the Canon EOS R6 Mark II with RF 24-105mm f/4-7.1 Lens Kit. This full-frame pairing offers best-in-class performance with a new 24MP sensor and the DIGIC X processor for up to 40fps burst shooting in electronic shutter with AE and AF tracking. You can also record full sensor width oversampled 4K 60p video using AI technology which is harnessed in the latest Dual Pixel CMOS AF II for stills and video focusing.
The included native mirrorless RF lens allows you to capture anything from landscapes and portraits to candid family snaps and is perfect as a general lens for all-day shooting. Stable handheld shots are also more manageable with up to 5-stops compensation against shake and the upgraded camera body features performance enhancements for capturing the best stills and movie content. These include a new 30fps Pre-shooting burst mode, focus stacking, depth compositing, a wider selection of video exposure modes and EVF with 120fps refresh for a crystal clear view.
KEY CANON EOS R6 MARK II FEATURES
- Canon designed 24.2 megapixel sensor
- AI-driven Dual Pixel CMOS AF II technology
- Wide range of AF
- 40fps electronic shutter with AE and AF tracking / 12fps mechanical shutter
- 30fps Pre-shooting burst mode with 0.5 se
- Optical image stabilisation with In-body IS for up to 8 stops of stabilisation with compatible lenses
- Full width oversampled 4K 60p video in-camera
- 6K RAW Capture using an external Atomos Ninja V+ recorder
- Full HD at 180p smooth slow motion
- H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs
- HDR: HDR PQ and HDR Movie
- Focus breathing correction
- -6.5 EV AF performance
- Max ISO 102,400 (extendable to 204,800)
- High-resolution 3.69M dot EVF with 120fps refresh
- Dual UHS-II SD card slots with UHS-II compatibility
- Built in Wi-Fi and Bluetooth (Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with Bluetooth v5.0)
KEY RF 24-105MM F/4-7.1 LENS FEATURES
- Versatile wide to short telephoto zoom range
- 5-stop opt
- STM motor delivers fast, smooth AF for stills and video
- Combined focus and lens control ring
- 0.5x Centre Focus Macro
- 13cm minimum focus distance
- Compact design weighing just 395g
- 67mm diameter filter thread
CANON EOS R6 MARK II REVIEW
Learn more about the impressive features which can help elevate your photography in our latest review.Read our Review
CANON EOS R6 MARK II CAMERA WITH RF 24-105MM F/4-7.1 LENS KIT IN DETAIL
CANON RF 24-105MM F/4-7.1 IS STM ZOOM LENS IN MORE DETAIL
The Canon RF 24-105mm F/4-7.1 IS STM Zoom Lens is a full-frame lens with variable aperture which is capable of capturing high-quality results from a lens construction with 13 elements in 11 groups. This focal range offers tried-and-tested versatility for subjects as diverse as landscapes, portraits, candid family snaps and as a general purpose lens for all-day shooting.
It also offers lightweight and intuitive handling, weighing just 395g and featuring Canon’s combined focus and lens control ring. Optical stabilisation delivers effective shake reduction when capturing both stills and video even when you leave your tripod at home, and you will enjoy fast, quiet and smooth focusing from the STM motor.
Creators will love this lens even more for its added ability to capture 0.5x macro to create stunning close-up images for even more diverse content, making a thoroughly useful general-purpose lens kit with the camera.
24.2 MEGAPIXEL FULL-FRAME SENSOR
The EOS R6 Mark II features a Canon-designed full-frame 24.2 megapixel CMOS sensor, which works together with the powerful DIGIC X processor. The processor is behind many of the camera’s advanced features and provides an excellent balance between resolution, low-light performance and the ultimate shooting speed.
The new sensor offers fast readout speeds for video and groundbreaking 40fps continuous shooting in electronic shutter mode. Compared to the original EOS R6, this new sensor reduces the effect of ‘rolling shutter’, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This also facilitates oversampled 4K 60p video using the full width of the sensor, while helping to power extraordinarily quick focusing, which the R6 Mark II provides.
You also benefit from an instant in-camera 1.6x crop with a digital teleconverter, taking you closer to the action at the press of a button. This works even while your eye is at the viewfinder, creating a seamless zooming-in experience when needed.
ADVANCED DUAL PIXEL CMOS AF II WITH EYE DETECTION
The Canon EOS R6 II uses state-of-the-art Dual Pixel CMOS AF II to focus and track subjects found in high-end Canon mirrorless cameras, keeping subjects sharp as they move across the scene. This employs deep-learning artificial intelligence, which is programmed to recognise a wider range of subjects. These now include:
- People (Eye/Face/Body)
- Vehicles (cars, motorbikes, trains and aircraft)
- Animals (dogs, cats, birds and horses).
The subject type can be chosen in the menu or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify whether the left or right eye should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.
RAW BURST MODE
A pre-shooting option as part of RAW burst mode is included in the upgraded Mark II body, which captures action 0.5 seconds before the shutter-release button is pressed. This provides a great advantage when shooting unpredictable subjects and you want to capture every moment, whether photographing tennis players or toddlers.
When using high-speed SD memory cards, you can capture just over 6 seconds RAW burst mode, which shoots continuously at 30fps for up to 191 frames. All of the frames are recorded in a single RAW file, which Canon has called a roll. This is recorded as a special CR3 file, which is complete with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files for editing and sharing.
MOVIE SERVO AF ‘DETECT ONLY’ OPTION
A new Movie Servo AF option ‘Detect only’ has been added to the EOS R6 Mark II, which is similar to ‘Face only’ feature found in the EOS C70 Cinema camera. When activated, if the subject specific in the Subject to detect menu moves out of the focus area the camera will remain at its current point of focus without refocusing on other subjects. This has practical applications, such as when ‘People’ is specified in the menu, focus will not change if a subject walks out of shot, where traditionally a camera would refocus on the background. This is often undesirable, especially if the subject is about to move back into the frame and will be out of focus.
Canon’s EOS R6 Mark II is able use digital processing to compensate for the undesirable effects of focus breathing. This is through noticeable changes in the viewing angle or magnification that happens as some lenses show significant changes in focus. Lenses which are supported after firmware updates include:
- RF 14-35mm F4 L IS USM
- RF 15-35mm F2.8 L IS USM
- RF 24-70mm F2.8 L IS USM
- RF 24-105mm F4 L IS USM
- RF 70-200mm F2.8 L IS USM
- RF 70-200mm F4 L IS USM
- RF 24mm F1.8 Macro IS STM – supports this feature without requiring a firmware update.
FOCUS BRACKETING IN-CAMERA
When you need more depth of field, the EOS R6 Mark II offers focus bracketing and depth compositing to help you achieve perfect focus throughout the frame.
A single press of the shutter-release button tells the camera to begin shooting after specifying the focus range and number of shots, which will vary focus from near to far. When this sequence of images is blended together, the result is perfect depth of field for the scene, which is ideal in a number of situations from landscape or cityscape.
This image sequence can be merged in-camera, creating a perfect ready-to-go result to share instantly. The feature can also be used as an on-location preview of what can be achieved in post-production after the shoot for the confidence that you have captured the precise shot which you need.
For macro photography depth compositing is perfect when shooting with limited depth of field. This feature also enables you to reduce time spent post-processing from multiple frames and lets you achieve quick in-camera results.
4K 60P FULL-WIDTH OVERSAMPLED AND 6K RAW VIDEO
The EOS R6 Mark II will record 4K 60p UHD using the full width of the camera sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality for professional results.
The camera body is also heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life.
The EOS R6 Mark II outputs 6K RAW via HDMI, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail as well as the ability to adjust parameters such as white balance in post-production and Full HD proxy footage can be captured internally to a memory card, catering for the needs of filmmakers who wart even higher performance.
ADVANCED HEAT MANAGEMENT
The EOS R6 Mark II is able to capture video for longer by managing temperature rises. Advanced warning of overheating informs videographers well before shooting may need to be paused.
Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.
When the pre-recording function is activated, video is continuously streamed through the camera in standby. This pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed, which is particularly handy when shooting unpredictable subjects or an unmissable one-off moment during a wedding or sporting event for example.
WEBCAM AND LIVE STREAMING UVC SUPPORT
The EOS R6 Mark II can be used as a webcam on PC and Mac without having to install additional software in order to run apps such as Skype, Zoom and Teams. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.
This ensures you look your best when you need to make a great impression online, with improved image quality compared with standard computer webcams.
VIDEO ASSIST FEATURES
As an extremely competent video camera the Canon EOS R6 Mark II includes several video assist features to ensure brilliant results from technology shared with Canon Cinema cameras.
The EOS R6 Mark II features false colour warnings which provide instant indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and view screen images.
RECORDING EMPHASIS AND ASPECT MARKER
When the Recording emphasis feature is turned on a blinking red frame is visible at the edges of the frame while the camera is recording video.
In addition to this, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios which is ideal when recoding even for social media. Aspect ratios include 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram-friendly 1:1.
WIDER SELECTION OF VIDEO EXPOSURE MODES
When capturing video footage, the updated camera body offers aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving you more convenience and creative control for how videos are exposed.
First seen on the EOS R3, a multifunction shoe is included on the EOS R6 Mark II. This innovative technology allows a range of accessories to be used with the camera without cables and battery management. These include the Canon DM-E1D digital microphone and Tascam XLR adapter designed to record high-quality sound. You can also take advantage of the AD-P1 smartphone adapter and new multifunction shoe Speedlite flashes.
HUGE LENS AND ACCESSORY ECOSYSTEM
The Canon mirrorless ecosystem has grown with the addition of regular and cable-free multifunction hot shoe accessories, as well as a wide range of RF lenses including this kit lens. You can also attach EF and EF-S lenses using Mount Adapter EF-EOS R, Control Ring Mount Adapter and EF-EOS R Mount Adapter With Variable ND Filter. This opens up endless possibilities for stills and video capture with your existing lenses.
Optional accessories include the Canon BG-R10 battery grip, GP-E2 GPS receiver (digital compass not supported), Stereo Microphone DM-E100 and many more. The camera is powered by the tried-and-tested Canon LP-E6NH Battery Pack, which offers battery life approx. 760 shots (at 23°C) with the LCD and approx. 450 shots (at 23°C) when using the EVF.
Discover more about the upgraded body in our Canon EOS R6 II Review.
WHAT’S IN THE BOX
- Canon EOS R6 Mark II Body
- Camera Cover R-F-5
- Shoe cover ER-SC2
- Strap ER-EOS R6 Mark II
- Battery Charger LC-E6E
- Battery Pack LP-E6NH
- Battery Pack Cover
- AC Cable
- Canon RF 24-105mm F4L IS USM Lens
- Lens Cap E-77II
- Lens Hood EW-83N
- Lens Pouch LP1319
- Lens Dust Cap RF
- User Manual Kit
CANON EOS R6 II SAMPLE PHOTOS
Sample photo 5 with RF 15-35mm F/2.8L IS USM Lens @15mm. Camera settings: 5sec. f/5. ISO 12,800
Sample photo 6 with RF 15-35mm F/2.8L IS USM Lens @15mm. Camera settings: 8sec. f/4.5. ISO 1250
Sample photo 7 with RF 15-35mm F/2.8L IS USM Lens @15mm. Camera settings: 1/640sec. f/5.6. ISO 800
Sample photo 8 with RF 15-35mm F/2.8L IS USM Lens @18mm. Camera settings: 1/1600sec. f/2.8. ISO 100
CANON EOS R6 II CAMERA SPECIFICATIONS
|Type||35.9 x 23.9 mm CMOS|
|Effective Pixels||Approx. 24.2megapixels|
|Total Pixels||Approx. 25.6 megapixels|
|Sensor Cleaning||EOS integrated cleaning system|
|Colour Filter Type||Primary Colour|
|Sensor Shift IS||Yes, up to 8-Stops advantage depending on the lens used1|
|Type||Dual Pixel CMOS AF II|
|AF working range||EV -6.5 – 21 (at 23°C & ISO100)3|
|AF Modes||One Shot, Servo AF, AI Focus AF|
|Type||Electronically-controlled focal-plane shutter and Electronic shutter function on sensor|
|Shutter Release||Soft touch electromagnetic release|
|Type||Auto white balance with the imaging sensor|
|Custom White Balance||Yes, 1 setting can be registered – From image or Live View|
|Type||0.5-inch OLED colour EVF|
|Dot count||3.69 Million dots|
|Coverage (Vertical/Horizontal)||Approx. 100%|
|Eyepoint||Approx. 23mm (from eyepiece lens centre)|
|Dioptre Correction||-4 to +2 m-1 (dioptre)|
|Display performance||Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps|
|FLASHModes||E-TTL II Auto Flash, Metered Manual|
|Colour Space||sRGB and Adobe RGB|
|Drive modes||Single, Continuous High+, Continuous High, Continuous Low, Self timer (2s+remote, 10s+remote)|
|EOS MOVIE Movie Type||MP4 Video: 4K UHD, Full HD (16:9)9, Audio: Linear PCM / AAC|
|Dual Card Recording||Yes|
|ISO||Auto: 100-6400, H: 204800|
|Manual: 100-25600, H: 204801|